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Hordozható keverő arrow MixPre-10T

MixPre-10T

MixPre-10T
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MixPre-10T

The MixPre-10T is the newest member of the groundbreaking MixPre Series of recorders, mixers, and USB audio interfaces. This lightweight, 10-input/12-track recorder offers world-class sound quality, flexible powering, and built-in, highly accurate timecode generator/reader – perfect for production sound mixers, field recordists and sound designers.

Main Benefits

  • 10-Input/12-Track Recorder with Timecode
  • Kashmir Microphone Preamps
  • USB Audio-Recording Interface
  • Ring LED Metering per Channel
  • Timecode via Multiple Connections
  • Flexible Routing via Easy-to-Read Matrix
  • TA3 and 3.5mm Outputs
  • Auto Copy for Safety
  • Multiple Powering Options
  • Records Sample Rates up to 192 kHz

Description

Exceptional Audio Quality

The MixPre-10T features eight Sound Devices' Kashmir™ microphone preamps. These high-performance, ultra-low-noise, discrete, Class-A mic preamps were handcrafted by Sound Devices. The Kashmir mic preamps feature a -130dBV noise floor, analog limiters, and new 32-bit A-to-D converters to ensure the highest quality audio recordings that far surpass those of other recorders using simple off-the-shelf, IC-based mic preamps.

Accurate Timecode Generator/Reader Plus Word Clock

As its name suggests, the MixPre-10T features a built-in, ultra-high accuracy timecode generator and reader. Even when turned off or all power is removed, the MixPre-10T continues to hold accurate timecode for hours, more than long enough even for the most extended lunch break (or break in production)!

With its BNC, Aux, and HDMI timecode connections, all common frame rates and timecode modes are supported as well as the ability to lock to or output word clock, ideal for synchronization in any digital audio environment.

Flexible Powering

For the ultimate in portability and convenience, the MixPre-10T has multiple powering options. The MixPre-10T features locking 4-pin Hirose connector (10-18V) for either external battery powering or AC-powering (with optional AC adapter).

Like the MixPre-3 & MixPre-6, the MixPre-10T can also be powered from AA batteries in a convenient detachable sled of eight cells, or via an optional sled that offers powering from up to two hot-swappable Sony L-Mount Li-Ion batteries.

Versatile I/O Routing

The MixPre-10T offers eight XLR/TRS combo Mic/Line level inputs, and a 3.5mm Aux/Mic input, which can also be used for 2-channel line input, camera return or timecode.

The MixPre-10T also provides comprehensive routing flexibility with its two TA3 balanced outputs and a 3.5mm Stereo output, each with routing matrix.

Auto Copy

The MixPre-10T’s auto copy feature is as easy as ABC - or what we like to call “Auto-Background Copying”. With this feature, users can record files up to 192kHz / 24-bit to an SD card, while automatically copying to a USB thumbdrive (USB A) for handoff to a client or as a backup copy.

Compact, Unintimidating Design

The size and weight of the MixPre-10T will fit any production environment. It features a responsive capacitive touch screen for incredibly simple and intuitive operation, and a bright, IPS sunlight-readable color LCD for the ultimate in convenient navigation. The MixPre-10T also provides a transport joystick for starting record or playback, and two user-programmable shortcuts allowing user customization.

Like all Sound Devices products, the MixPre-10T is extremely durable. Constructed with a die-cast aluminum chassis, it is both lightweight and incredibly robust. The ultra-compact MixPre-10T is perfect for jobs on the run.

Mixing, Metering and Monitoring

The MixPre-10T incorporates a simple mixer that offers gain control knobs, and access to panning and soloing via a simple press of the knob.

For metering, it provides easy-to-read ring LEDs with limiter activity, along with three LCD views for multitrack, mix, and USB return metering.

The MixPre also includes a 3.5mm jack for headphone monitoring with user-programmable routing presets from our custom-designed, powerful, wide-bandwidth headphone amp.

Flexible Wireless Control and Workflow

The MixPre features integrated Bluetooth Smart® for easy wireless connection, control and metering via the free Sound Devices Wingman app on iOS and Android devices.

What’s more, the MixPre-10T allows users to manage and create sound reports.

Intuitive Operation

Like its MixPre Series predecessors, the MixPre-10T’s user-friendly, touch-screen navigation features three modes of operation: Basic, Advanced, and Custom. Basic mode has been designed to allow a user to start recording right out of the box, and is intended for stereo recording applications, such as interviews and music recordings.

Advanced and Custom mode offer more experienced audio users access to multi-channel recording and advanced settings such as metering, routing, timecode, mic pre gain, stereo and M/S channel linking, channel phase invert, input/output delay, headphone presets, and more.

Powerful USB Audio Interface

The versatile MixPre-10T makes an excellent USB audio interface featuring 12 channels in and 4 channels out from a computer at up to 96k sample rate. The Mixpre-10T also features the unique ability to record to an SD card while simultaneously audio streaming via USB.

Tech Specs

Frequency Response
10Hz to 80kHz +/- 0.5dB re 1kHz @ 192kHz sample rate
THD + Noise
0.005% max (@1kHz, 22-22kHz BW, gain=20dB, -10dBu in)
ADC
32 bit precision; 120dB dynamic range min (A-weighted, gain=10dB, fader=0dB)
Equivalent Input Noise
-130dBV (-128dBu) max (A-weighting, gain=76dB, 150 ohm source impedance)
Inputs
  • Mic: XLR active-balanced; 4k input Z
  • Line: XLR active-balanced; 4k input Z
  • Aux/Mic in: 3.5mm TRS, 2-channel unbalanced; 100k input Z
  • Line: ¼-inch TRS active-balanced; 4k input Z
  • USB Audio: 4 channels
  • All inputs fully RF-filtered and overload protected.
Gain
  • Mic input: +6dB to +76dB
  • Line input: -20dB to +30dB
  • Fader: -inf to +20dB
  • Headphone: -inf to +20dB
  • Total, Mic-to-recording (max): +96dB
  • Aux In (Mic): Gain = +10dB to +40dB
  • Aux In (Line): Gain = -10dB to +20dB
  • Total Aux Gain including Fader (Mic-to-recording): +60dB
Maximum Input Level
  • Mic XLR: +14dBu (limiters on or off)
  • Line XLR/¼-inch: +28dBu (limiters on or off)
  • Aux In (Mic): -10dBu
  • Aux In (Line): +10dBu
Low Cut Filters
40Hz to 160Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital.
Microphone Powering
  • Mic XLRs: 48V via 6.8k resistors, 10mA each
  • Mic 3.5mm: 3V @ 3k source Z
Limiters
Limiter at all gain stages, range > 40dB. First stage analog, subsequent stages digital.
DAC feeding Stereo Out, Headphone Out
32 bit precision; 115dB dynamic range (A-weighted)
L/R Out
TA3 2-channel balanced, 1.1K max output impedance, +7.8dBu max output level
X1/X2 Out
3.5mm TRS stereo unbalanced, 500 ohm output Z, +7.8dBu max output level
Headphones Out
3.5mm TRS stereo unbalanced, for use with any impedance headphones
USB
  • Audio Interface (USB-C): 12-in/4-out; 44.1 to 96 kHz; 16/24-bit; Class-compliant USB 2.0 high speed or ASIO (supplied)
  • Mass Storage (USB-C): USB 2.0 high speed
  • Keyboard (USB-A): Text entry and control
Maximum Record Tracks
12 Tracks: Stereo mix + 10 ISOs
Sampling Frequency
  • 44.1 kHz
  • 47.952 kHz
  • 48 kHz
  • 48.048 kHz
  • 96 kHz
  • 192 kHz
Bit Depth
16, 24
Recording Storage
  • Type: SD, SDXC, SDHC Card
  • Max Storage Size: 512 GB (SDXC)
  • Card format: FAT32 (32GB or less) or exFAT (>32GB)
File Type
WAV (Broadcast Wave File Format) with embedded timecode stamp and metadata
Timecode Modes
  • Free Run
  • Time of Day (file stamped w/current ToD)
  • Rec Run
  • Ext LTC (file stamped w/incoming LTC on BNC or Aux 3.5mm)
  • HDMI TC (file stamped w/incoming TC from cameras that output TC over HDMI
Timecode Frame Rates:
  • Auto-detects (fps): 23.98 (same as 23.976)
  • 24
  • 25
  • 29.97DF
  • 29.97ND
  • 30
  • 30DF
Sync Source
Internal, Word Clock, Ext LTC
BNC In (TC In)
Switchable between Timecode (default) or Word Clock Input
  • Timecode: 20k ohm impedance, 0.3 V - 3.0 V p-p (–17 dBu - +3 dBu)
  • Word Clock: 10k ohm impedance, 1.5V p-p
BNC Out (TC Out)
Switchable between Timecode (default) or Word Clock Output
  • Timecode: 1k ohm impedance, 3.0V p-p (+12 dBu)
  • Word Clock: 75 ohm impedance, 5V p-p
Remote Control
  • Bluetooth Smart: Wireless control using Wingman app
  • HDMI (micro): Auto-record start/stop trigger from cameras that output record flag over HDMI
  • Timecode: Auto-record start/stop trigger via Aux In timecode
Touch Screen
320x240; 1.6-inch, color, sunlight-viewable IPS LCD
Power
  • AA Batteries: 8x AA sled (included). NiMH recommended
  • L-Mount: Optional sled for 2x (hot-swappable) Li-ion batteries
  • AC Adapter: XL-WPH3: Universal, 45 W in-line AC-to-DC power supply Hirose 4-pin DC plug, with detachable IEC power cord. 100-240, 50/60Hz
Environmental
  • Operating: -20°C to 60°C, 0 to 90% relative humidity; (non-condensing)
  • Storage: -40°C to 85°C
Dimensions and Weight
  • Dimensions: 36 mm x 206 mm x 175 mm (H x W x D); 1.375” x 8.125” x 6.875”
  • Weight: .91 kg; 32.1 oz. (unpackaged, without batteries)

Feature Comparison

 
FEATURES MIXPRE-10T MIXPRE-6 MIXPRE-3
Description 10 input, 12-track audio recorder w/timecode, mixing and USB audio interface 6 input, 8-track audio recorder w/mixing and USB audio interface 3 input, 5-track audio recorder w/mixing and USB audio interface
Recorder
Recording Media SD, SDHC, SDXC SD, SDHC, SDXC SD, SDHC, SDXC
Auto-copy to USB Thumbdrive -- --
Tracks 12 (10 channel + mix) 8 (6 channel + mix) 5 (3 channel + mix)
Max Sampling Rate 192kHz 192kHz 96kHz
Max Bit Depth 24 24 24
Audio File Format Wav Poly Wav Poly Wav Poly
Metadata Editing
Sound Reports -- --
Playback Audio Scrub 1/8x to 16x (FFWD and REW) 1/8x to 16x (FFWD and REW) 1/8x to 16x (FFWD and REW)
USB
USB Ports 2 (1 USB-A, 1 USB-C) 2 (1 USB-A, 1 USB-C) 2 (1 USB-A, 1 USB-C)
USB Audio Streaming 12 in to/ 4 out from Mac &/or Windows with ASIO driver 8 in to/ 4 out from Mac &/or Windows with ASIO driver 5 in to/ 2 out from Mac &/or Windows with ASIO driver
Note: Maximum streaming on all models is 2 in / 2 out from Windows without ASIO driver.
Mixing
Simultaneous Recording, Mixing, USB audio streaming
Balanced Mic/Line Inputs 8 XLR/TRS combo 4 XLR/TRS combo 3 XLR
Aux/Mic In (3.5 mm)
4 uses: Camera Return, Plug-in-Power Mic, 2 ch Line In & Timecode
48V Phantom
Low Cut filters 40 - 160 Hz, 18dB/oct 40 - 160 Hz, 18dB/oct 40 - 160 Hz, 18dB/oct
Input Limiters Analog Analog Analog
Output Limiters Digital Digital Digital
Input Pair Linking (Stereo and/or M/S) Pairs 1-2, 3-4, 5-6, 7-8, 9-10 Pairs 1-2, 3-4, 5-6 Pair 1-2
4-Channel Linking 1-4, 5-8 1-4 --
Input Delay --
Input Polarity Reverse --
Input Gain, Pan, and Fader Controls
Input SOLOs (Individual or Multiple)
Balanced L/R Outputs (TA3) w/routing matrix -- --
Unbalanced Stereo Output (3.5 mm) w/routing matrix
Headphone Output (3.5 mm; wide bandwidth, high gain)
User-Programmable Headphone Presets
LCD Metering 3 meter views 3 meter views 3 meter views
Multi-Color Ring LED Metering Surrounding Fader Knobs
Slate Mic -- --
Tone Generator
Control Interface
Touchscreen, Sunlight-Readable
Ergonomic Channel Knobs
Tranport Controls Joystick w/LED Ring Backlit Buttons Backlit Buttons
Operation Modes: Basic, Advanced, Custom
Load/Save User Setup 4 internal, unlimited to SD card 4 internal, unlimited to SD card 4 internal, unlimited to SD card
Multi-function Star Shortcut(s) 2 (via switch) 1 (via button) --
Timecode
Built-in TC Generator ✓ (Free Run, Rec Run) -- --
Word Clock -- --
TC Reader Time of Day, HDMI or LTC via BNC or Aux In Time of Day, HDMI or LTC via Aux In Time of Day, HDMI or LTC via Aux In
Powering
Power Source 4-pin Hirose, 8x AA, L-mount 4x AA or 8x AA, L-mount, USB-C 4x AA or 8x AA, L-mount, USB-C
Remote Control
Wingman iOS and Android app ✓ (via integrated Bluetooth Smart) ✓ (via integrated Bluetooth Smart) ✓ (via integrated Bluetooth Smart)
Record Start/Stop Trigger ✓ (HDMI Flag or Timecode) ✓ (HDMI Flag or Timecode) ✓ (HDMI Flag or Timecode)
Physical
Die Cast Aluminium Chassis
1/4" 20 mounting
Size (W x D x H) 8.15 x 6.88 x 1.40 inches
(207mm x 175mm x 36mm)
6.53 x 4.65 x 1.40 inches
(166mm x 118mm x 36mm)
5.68 x 4.35 x 1.40 inches
(144mm x 110mm x 36mm)
Weight 32.0 oz (.90 kg) 19.9 oz (.56 kg) 16.8 oz (.48 kg)
Included Accessories
AA Battery Sled ✓ (MX-8AA - holds 8 cells) ✓ (MX-4AA - holds 4 cells) ✓ (MX-4AA - holds 4 cells)
Y-Cable (1 USB-C to 2 USB-A) --
Optional Accessories
MX-8AA Battery Sled Included
MX-Lmount Battery Sled (Li-Ion)
XL-WPH3 (Wall PSU w/Hirose) -- --
MX-PSU (Wall PSU w/USB-C)
(Formerly called MX-Charge)
--

Videos

Introducing the Sound Devices MixPre-10T Audio Recorder

Sound Devices' new 10-input/12-track MixPre-10T is the newest member of the MixPre Series of audio recorders, mixers, and USB audio interfaces. The MixPre-10T comes equipped with 8 ultra-low-noise, discrete, Class-A, Kashmir mic preamps, analog limiters, built-in, ultra-high accuracy timecode genera...

MixPre-6 Tiptorial - Linking Channels 1-4

With MixPre firmware v1.20, the MixPre-6 added the ability to link channels 1-4. Learn how to link the channels in Custom Mode for both one- and two-gain stage setups. Download firmware v1.20 - https://www.sounddevices.com/support/downloads/mixpres-firmware View the full MixPre firmware revision n...

Gasherbrum II - First separate sound recording at the altitude of 8000 meters

Ivo Repčík.: “I was the first sound mixer in the world to make a separate sound recording at the altitude of 8000 meters."

MixPre Series Tiptorial - Headphone Presets

Learn how to create a custom headphone mix using your MixPre Series (MixPre-3 & MixPre-6) audio recorder. MixPre-3 - https://www.sounddevices.com/products/recorders/mixpre-3 MixPre-6 - https://www.sounddevices.com/products/recorders/mixpre-6

MixPre Series Tiptorial - Typical Podcast Setup

In this video, we’ll show you how to set up a typical podcast system. For this example, we worked with "Milwaukee's Tailgate," a podcast consists of two hosts in one location, and a third via Google Hangouts. All three signals are then captured by the Sound Devices MixPre-6 recorder with USB audi...

MixPre Series Overview - In French

Video tutorial on the Sound Devices MixPre Series of recorders recorded entirely in French. Our Distributor in France, JBK Marketing (JBK Audio Pro), walks our French speaking fans through some of the features of the MixPre-6 & MixPre-3. As a world-recognized company, we're striving to bring more vi...

MixPre Series Tiptorial - USB File Transfer

In this tiptorial, Nelson demonstrates how to transfer files from the MixPre-3 or MixPre-6 to a computer via USB.

MixPre-6 - Heavy Metal Session

Our very own Ross Madrigal, mechanical engineer for Sound Devices, decided to test out his Gibson Les Paul Studio with the MixPre-6. If you like heavy metal, you'll like the sound of the Kashmir mic preamps. Listen to the entire guitar only track (high bitrate .wav) on our audio samples page: http:...

Sound Devices MixPre-6 Review

Sound Devices has disrupted the sound recording game for enthusiast and semi-pro filmmakers with their new MixPre-3 and MixPre-6 recorders. I pre-ordered the MixPre-6 and have been working with it for about 5 weeks now. This is my in-depth review after having used it on several jobs and projects. T...

MixPre Series Tiptorial - Setting Up Wingman

Quick video tiptorial on how to setup the Sound Devices Wingman remote control app for the MixPre-3 or MixPre-6.

MixPre Series Tiptorial – Linking

How to video on linking channels on the Sound Devices MixPre-3 & MixPre-6 recorders. MixPre-6: www.sounddevices.com/products/recorders/mixpre-6 MixPre-3: www.sounddevices.com/products/recorders/mixpre-3

Hands-On Review: Sound Devices | MixPre-3 and MixPre-6

The Sound Devices MixPre-3 and MixPre-6 are audio mixers, recorders, and USB interfaces in ultra-portable form factors great for camera rigs. Shop at B&H http://bit.ly/SoundDevicesMixPre-3 http://bit.ly/SoundDevicesMixPre6 http://bit.ly/SchoepsColetteSupercardiodMic Check Out More of Our Pro Audio...

MixPre-6 Jam Session - "Take 50"

Impromptu jam session with Paul Isaacs and Chris Mittlesteadt of Sound Devices. All music was recorded using the Sound Devices MixPre-6 audio recorder + USB audio interface with Low Cut set at 40 Hz with Limiters on. More details on the setup is listed below. Piano: Gildemeester and Kroeger 7-1/2'...

MixPre Series Tiptorial - How to Use Channel Knobs to Adjust ISO Levels

In this tiptorial, Joel demos how to use channel knobs to adjust iso track levels with MixPre Series recorders.

Sound Devices MixPre-3 limiter test

Can the analog limiters prevent speech from clipping? Have a listen.

MixPre Series Tiptorial - Basic Mode

In this video, Chris walks through Basic Mode on the MixPre-3. Basic is one of three modes of operation for the Sound Devices MixPre Series recorders.

MixPre Series Tiptorial - Advanced Mode

In this video, Chris takes a deep dive into many of the advanced features for the MixPre Series recorders.

Sound Devices MixPre Series Overview

Paul Isaacs from Sound Devices presents the MixPre series of audio recorders/mixers/USB audio interfaces. And even though these portable recorders fit in the palm of your hand, they offer a lot of power under the hood.

My YouTube Audio & Recording Setup

New tech for 2017 & my new favorite gadget under $1,000! Galaxy S8 vs iPhone 7! https://youtu.be/8NS1ne6kvfw?list=PLqcaiHQwxA9gWWz-l_C2Ai536Gxz3_cLJ If you make YouTube videos, this is probably the best audio/recorder for the money.

Sound Devices MixPre-3 & MixPre-6: First Look with Paul Isaacs

Sound Devices just announced a new set of audio recorders/mixers called the MixPre series. In this episode, we stopped by the Sound Devices booth at the 2017 NAB show where Paul Isaacs gave us an overview of the new mixers for filmmaking enthusiasts, podcasters, musicians, and even production mixers.

The Sound Devices MixPre-3 and MixPre-6 Make Best-in-Slot Sound Recording Available to Everyone

From No Film School's complete coverage of NAB 2017: http://nofilmschool.com/tags/nab-2017 Quality preamps, silent noise floor and top notch build quality are things that set Sound Devices apart from their competitors, but they've always been a bit pricey for the entry level market.

NAB 2017: Sound Devices MixPre Recorders

Jon Tatooles shows the MixPre-3 and MixPre-6 recorders to Peter Schneider.

The MixPre Series by Sound Devices

Sound Devices introduces its groundbreaking new line of high-performance, ultra-compact audio recorders with USB audio streaming – MixPre-3 & MixPre-6.

NanoLockit Sync Tutorial: Sound Devices MixPre-3

NanoLockit - the small, wireless & easy-to-use Timecode Generator by Ambient. Learn more at http://www.nanolockit.com

Resumen de la serie MixPre de Sound Devices

Gabriel Benitez, regional sales manager at Sound Devices, talks about the all-new MixPre Series at NAB... en Español!

Audio Samples

Guitar

Guitars by Chris Mittlesteadt recorded to the MixPre-6. Equipment used: Nylon string - Taylor NS74CE, Steel string - Taylor 814CE, AKG C414XLII set to cardioid 4-inches above bridge, Shure KSM 137 4-inches above 12th fret. Low Cut was set at 80Hz with Limiters off. No post-processing.

"Heavy Metal Session" was recorded by Ross Madrigal on a Gibson Les Paul Studio, a Shure SM57 slightly off axis, and a Marshall 4x12 w. Scumback H55 speakers.





Vocals/Piano

"Heart Afire" vocals and piano by Shawndell Marks. AKG C414XLII set to cardioid +38dB gain on mic pre 4-inches from mouth with Low Cut at 120Hz, Limiters off. No post-processing.


Jam Session

Impromptu jam session, "Take 50", with Paul Isaacs and Chris Mittlesteadt of Sound Devices. All music was recorded using the MixPre-6 with Low Cut at 40Hz, and Limiters on. Piano – Gildemeester and Kroeger 7-1/2' grand, mic'd with AKG C414XLS pair; Guitar – Heritage H-535 with '57 Classic pickups, Providence Stampede SOV-1 overdrive pedal, TC Electronic Hall of Fame Reverb pedal, handmade '57 Fender Deluxe clone w. Eminence Red Fang 12" speaker, amp mic'd with SM57 on the grille. Mixed in Logic with no processing with the exception of added guitar reverb and track normalizing.


Live Band

Patsy Cline's classic song "Crazy" was performed by The Good Karma Quartet and recorded on the MixPre-6. Shawndell Marks - Vocals on Neumann KMS105; Joe McCloskey - Upright Bass on Fishman Full Circle Pickup; Paul Isaacs - Piano on Schoeps CMC6/MK4 stereo spaced pair; Chris Mittlesteadt - Guitar on SM57 at grille of Tweed Deluxe amp. Reverb and gentle compression was added in post-processing.


Piano

"Piano" was recorded by Shawndell Marks with a MixPre-6 and Rode NT4 microphone. The MixPre was set Low Cut at 40Hz, +35dB gain on mic pre 6-inches above strings, centered on soundboard with Limiters off. All other piano samples were recorded by Paul Isaacs on a Yamaha C7 grand piano, lid up, small living room, 12x30x9 feet (WxLxH). Recorded with the MixPre-6 using a pair of DPA 4099P mics placed at various distances from piano ranging from 1-foot to 3-feet. No post-processing.









Drums

Drums by Isaac Mittlesteadt. Equipment used: Kick - Shure Beta 91, inside shell, 3-inches from beater head; Snare - Shure SM57, 2-inches off rim, 45deg. Angle; Overheads - Crown SASS MKII at 6-inches centered above kit facing drummer. Limiters off on the MixPre-6. No post-processing.


Sound FX

"Trackside - Goodwood Circuit" was recorded by Codemasters Junior Sound Designer David Gurney for F1 racing. These sounds were recorded trackside at Goodwood Circuit in the UK in 2017. It features a flyover of Hawk T1s by the Royal Air Force Red Arrows aerobatic team followed by passing race cars on the track. To make the recording, he used the MixPre-6 in an Orca bag with a Superlux S502 stereo mic and Rycote baby ball gags.

All weapons fire was recorded on the MixPre-6. Firearms used: Glenfield model 60 .22 LR rifle; Remington 700 .270 rifle; Ruger .44 Magnum carbine rifle; Winchester model 1200 12-gauge shotgun. The MixPre-6 was set Low Cut at 80Hz, stereo linked channels with a Rode NT4 microphone, 2-feet from each chamber, +25dB gain on the mic pre with Limiters on. No post-processing.






Field Recording

Nature sounds recorded at 5:00 AM CST using the MixPre-6. First recording Low Cut was set at 80Hz, stereo linked channels with a Rode NT4 microphone, +65dB gain on the mic pre with Limiters off. "Front Porch Birds" was recorded using a pair of DPA 4099P mics. No post-processing.


Downloads

Documentation

MixPre-10T User Guide
(COMING SOON)

Firmware and Software

MixPre Series Firmware Download(COMING SOON)

Wingman App Download

Wave Agent Download

ASIO Driver Download
(for Windows OS)


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